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macro shot of my music, titled 'FELIX MENDELSSOHN BARTHOLDY - Lobgesang - Hymn of Praise, op. 52, Symphony Cantata' and orchestration written in German - Soli SST, Chorale SSAATB, 2 flutes 2 oboes etc

Had a concert Saturday, performing Mendelssohn's Lobgesang. We were paired with another choir (larger than us), and an excellent symphony orchestra. Altogether I would guess there were at least two hundred people on stage - rather cozy and quite warm on stage, but the sound was absolutely tremendous and tremendously exciting to sing in. And Mendelssohn is a very rewarding sort of composer to sing in large choruses with, especially in a piece like this: a "hymn of praise", written to commemorate the western invention of printing - I think on one of the major anniversaries of it?

We were conducted by the conductor of the symphony orchestra (the choirs share a conductor, so there were just two conductors running around). The conductor was sort of funny and acerbic with it, the kind that really tries to get a lot out of you. I'm not sure what he's like when it's all being put together, but he kept exhorting us to get out of the music and watch the conductor. (One of the most common refrains of conductors I've known).

The parts got a bit jogged around by our choral conductor. He asked the alto 2s to help the tenors when they had to sing by themselves to open a movement, and in some parts asked the entire soprano section to sing alto to lend more power to the middle section - this, at least, is very rare. The last movement in rehearsal we basically didn't have a soprano line; those were being worked on by the other choir, who would cover for us there.

I like this rendition on youtube. There are more if you search "Mendelssohn Lobgesang" though I only have timestamps for this particular one.



Lots and lots of talk about the piece, including time-stamps for specific parts )
silverflight8: watercolour wash with white paper stars (stars in the sky)
SO to start with The Creation (Die Schöpfung): it is currently my favourite.

I really like Haydn in the first place. I played some of his sonatas (I also really like sonatas, though it took me awhile to warm up to them--I liked the drama of Romantic composers when I was younger) and I'd studied parts of The Creation as part of music history. And of course there are some really famous pieces by him it's hard to miss--the Surprise symphony!

Hadyn makes me smile because he's totally playing tricks on the audience and the performers, laughing a little bit behind the scenes. In many ways, the music is quite symmetrical and classical. There are a lot of choral entries which feature each voice part singing the same melody, just one measure offset; he repeats measures in the classical structure; his sonatas follow the usual introduction-development-recapitulation; his melodies and harmonies are very tonal. But he loves springing little surprises onto you. Just as you think you have learned the part and that it will repeat for a second phrase, it suddenly isn't the same; it's been subtly tweaked just enough to produce a different sound. That part you thought would repeat four times is actually two repeats and three variations, joke's on you, sight-reader! (If you're not sure which one is the Surprise symphony, it's the one that starts out very quiet and then has the orchestra blast a shock chord to wake you up. It's so great. A+ would recommend.)

about The Creation and word painting )

My favourite parts are of course the choral ones, because I'm most familiar with them. I think if I tried to write about all 34 movements (of which we omitted a few), this would be way too long, and in fact it's already very long. I have included the music in youtube videos--there are three vids, and I didn't want to embed each all over the place so I've just provided start times for the pieces.

First Movement )

Second Movement )

We broke for intermission at this point, mostly for the benefit of the conductor and the orchestra; the choir got to sit (thank you) and really only did commentary. We weren't entirely holding up the show, this time!

Third Movement )

tl;dr: I was really excited to sing the Creation when I found out in September, and now that I have, I love the whole piece like burning. LOVE.
silverflight8: Different shades of blue flowing on a white background like waves (Fractal)
I've talked about choir a couple times already, but I haven't really talked about the music yet, which is because it usually takes me about 2,000 words every time. Here goes!

This season was the French composers concert: Duruflé, Fauré, Poulenc, and Gounod.

Includes youtube clips under the cut )

1 Around 1:44 in the third clip.
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Today was the choir concert. A mix of old and new, as the title suggested, and nothing particularly heavy for the summer season.

tl;dr: no one fainted or flubbed badly. Success! (I think we're getting a CD, but that's not going to be out for a long time. I've included links to youtube versions that are close) )

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