silverflight8: text icon: "Go ahead! Panic! Do it now and avoid the June rush!" (Panic!)
It makes me smile every time Angel Clare comes up on meme and piles of people talk about how much they hate him. I hate his guts. I hate him so much. I love a lot of characters usually, I like antagonists and villains and protagonists and most characters. But I can't stand Clare. He makes my blood boil. I mean, I liked Alec better than him, and Alec is a rapist. THERE'S SOMETHING WRONG THERE if I like Alec better. I hate him so much that I went through and stripped out a lot of the italics and capslock I used but guys, normal text formatting isn't enough to contain my seething hatred and loathing for him.

I think it's a combination of Angel basically dismissing Tess after he finds out her past, running off like a huge prat, and then--when he gets back--doing absolutely nothing. What is the use of repenting if you never do anything?! "Let her wake naturally"--oh thank you so very much, Angel Clare, that's all you can do? That's all you do in the whole thing! Oh my god, why are you such a horrible person? Maybe this comes of being weaned on stories where it's normal for the protagonist(s) will do something (anything) to help each other. I'm not asking him to whip out a weapon and fight through all the men surrounding them. But he literally leaves her to be killed.

Also, he never gets his comeuppance. At least the husband in the Mayor of Casterbridge does. No, he just goes off with Lizzy-Lou and presumably marries her in a bit. It reminds me of the closing stanza of "Clementine."

I really have to get around to reading Jude the Obscure. I don't like Hardy's poetry (I can't get over his Titanic poem. It was an abomination) but I love his novels, and that's the last of the big ones I haven't read.
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Finished Tess of the D'Urbervilles today, in a marathon reading where I snatched a few minutes between classes (or during classes, depending on the teacher). I've read the book before (albeit only superficially--I didn't get it at all) and I knew what was coming, and I still wanted to jump up and down and scream at the end. Slightly spoilery, although I've hidden the worst of the spoilers.

(skip) Tess is raped by Alec D'Urberville in the first part of the book; the repercussions of this (less the emotional ones than the societal castigation--this is, after all, a work by a Victorian author who was quite aware of what his society was like) are all over the book. In the end, she murders Alec (I was quite glad about this one) and is executed for it. (skip)

Lots and lots of victim-blaming by various characters (including her supposedly devoted husband, to whom she is slavishly devoted also), as well as a sense of guilt and indecision on the part of Tess, who doesn't know if she should tell her secret or not. As far as emotional impact, I think this one packs a wallop (I was quite ready to punch Alec D'Urberville through the book, several times), but I still like Far From Madding Crowd's descriptions. I think Hardy became more and more...disillusioned, perhaps?...with humanity in general; his later books are decidedly more fatalistic, and the poor protagonists often suffer a great deal. (I mean, at least Bathsheba and Elizabeth-Jane get happy [ambiguously happy, okay] endings. Tess doesn't get anything of the sort.)

Still, a very engrossing read--as soon as you get used to the sometimes unusual syntax--and now I think I need to find some kind of fanfic AU where Tess is alright in the end. 10/10
silverflight8: bee on rose  (Default)

This book follows Bathsheba Everdene and her journey as a farmer in rural England; after her are Boldwood, a wealthy farmer, Sergeant Troy, a seducer, and Gabriel Oak, a shepherd. Far From the Madding Crowd was adapted first for a serialization, and then re-compiled into a novel form. I have whited out most of the spoilers, but be careful.

I've always loved Thomas Hardy's language; he was, after all, a poet, and his prose reflects this. The setting and landscape were described vividly and sometimes beautifully. I was grateful, though, for the footnotes and notes; though his Victorian readers would have known what he was talking about, much of the context is missing for more contemporary readers.

This is very much a character study, of Gabriel, of Bathsheba, of Boldwood. [In fact, most of his books are character-driven]. Bathsheba is a strong woman who seems very modern; upon the disillusionment of her marriage to Troy she says: "that she had felt herself sufficient to herself." Like in Tess of the D'Urbervilles the blame is placed on where we as modern readers feel is right: squarely on the perpetrator. The supporting characters, like Joseph Poorgrass and Liddy, are well-defined and in the case of the former, endearing in a blockheaded way.

As usual for Hardy, though, the ending is somewhat concluded, but still unsatisfactory. The middle threw me a few surprises that I didn't see coming (I was yanked out of the story when I discovered Fanny had a child [1]). 10/10

Formal review at [livejournal.com profile] bookish at this link.

*edited to add link.

silverflight8: bee on rose  (Default)
Well, I think Hardy does it again--I was completely taken by surprise about three quarters of the way through, and was in the end still not quite satisfied by the resolution. I suppose it's only to be expected, though...and Far From Madding Crowd was very fun to read.
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I'm in the beginning of Far From the Madding Crowd and find that though the language hasn't really changed (still thick, but it's getting much easier for me to read it), this novel is far more humorous. Whereas The Mayor of Casterbridge is kind of a darker study into what humans are like, this is so much more--I hesitate to say cheerful. Lighter, I guess. I'm still trying to see if any of main The Mayor of Casterbridge characters show up in this one--it's the same universe, some of the very, very peripheral characters have shown up--and Farmer Oak passes through Casterbridge!

Edit to fix typo. Another one.

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