silverflight8: Barcode with silverflight8 on top and userid underneath (_support)
So a few things:

1. I'm running an exchange with jadelennox, called Lost Library (h/t to morbane who named it!) and which is for writing excerpts of works mentioned in canon, but never made. Think Averil's Atonement, that sort of thing. If you think that'd be up your alley, nominations are open! Here's the link: http://invisible-ficathon.dreamwidth.org/9228.html

2. I went to the symphony yesterday to hear Mussorgsky and it was really good! We sat near the double bass and there were like seven of them and oh boy, you can hear them good from there. I think they would make great backings for sepulchral sounds (though I think they form the backbone for most orchestral things.) I really like programmatic symphonies - where the music paints a picture - and this one was excellent. The music for the gate of Kiev is such a great way to end it! The one part I thought was weird was the one where the troubadour is serenading his beloved - some of that sounded downright creepy. There was also a Liszt concerto and I discovered that in fact I don't hate all concertos, I just really dislike Rachmaninoff. Liszt's concerto was extremely virtuostic (no surprise there!) and lively and the interaction with the symphony was really great - sometimes you get concertos where the orchestra really has to back off to let the piano play and so it's less satisfying. There was also Berlioz's Corsair, which was such a fun romp. At this point, where Berlioz goes, I'll follow...

The other thing that happened at the symphony is that a girl down a few seats fainted sometime during the piece. During the unofficial intermission so the piano could be brought out, her boyfriend (?) half-carried her out D:

I also went last week to see Verdi's Requiem which was in one word FABULOUS. It was incredibly operatic, actually, and the tenor especially did a lot of gesturing with both arms (although personally I wondered at his diction. Maybe it was because of my seat, which was almost over the orchestra on the balcony, so the sound was directed away, but a lot of his consonants were inaudible.) Also, for a requiem, it was very - irreverent? It ended with "Libera me"! Not even a single amen anywhere! The mezzo and soprano were really good, and the parts (in the sequence, I think) where they sang together they actually sounded good - sometimes you get weird friction when the vibrato interacts. And the dies irae was stunning. After its introduction at the beginning of the sequence, it was immediately recognizable when it popped up. Even without knowing it's a dies irae, you know it's heralding the apocalypse!

I wonder if there are musical settings of dies irae that preserve the meter of the poem? I guess that wouldn't leave much rhythmic freedom, but when you read it you can see how it would really bowl along. "Mors stupebit et natura/Cum resurget creatura,/Judicanti responsura." Something like the rhythmic speed of Carmina Burana.

3. I finally got over myself and re-read The Silver on the Tree (I re-read the other four much earlier, but I was putting off the last because it's the last! and then there would be no more!) and ahhhhhh. I'm not going to go into what I love about the book (I love everything, and you know the Mari Llywd is terrifying) but instead I am going to say that the part with John Rowlands SPOILERS )
silverflight8: Different shades of blue flowing on a white background like waves (Fractal)
I reread Over Sea, Under Stone and actually really enjoyed it. I liked Will a lot better when I was a kid (Will has magic powers, Jane Barney and Simon don't) but the story is satisfying in a way I don't know how to describe. I really like the Drews, I think. And anyway, how could anyone not love a nice grail quest? I then read the Greenwitch really quickly--kind of a friction between the Drews and Will, understandable perhaps from Simon's point of view--and then the Grey King. Do you know what part I remembered, out of the whole book? The part where Bran (after explaining Welsh pronunciation) says that Will can't complain, English is full of things like dough and through and thorough. Caradog Prichard was scary; I don't remember him being so scary. It's his unpredictability and eagerness to resort to violence. I don't think he would have that much compunction about shooting humans either.

I know The Silver on the Tree's ending so this shouldn't be a surprise, but there really is a lot of fairly causal mind-wiping. There's the part in the Dark is Rising (when the rector and Paul are frightened out of their minds by the Dark howling outside), then the thing in the Greenwitch. The ending of SotT isn't comparable to the levels of AWFUL ENDING as say The Last Battle--a book I have never re-read because every time I think about it, I get angry--but the mindwipe thing. I hate that trope. It's so casual too. Will and the Old Ones are on the side of the light but Rowlands is right too--they may be "good" but it takes a long view and believes the ends justify most means.

--

I spent altogether too long yesterday and this morning trying to fix the problem of calibre hanging forever trying to get a list of books from my phone. Basically, it was trying to scan every item on my phone--and I have a lot of photos. As well as god knows what files that the various apps produce. It would take 15 minutes to scan through before I could do anything like transfer files. What fixed it in the end was I configured the settings so that calibre only scanned one single folder: the SD card Books folder. Not even the internal storage Books folder (that still made the job hang, for some reason). I'm so relieved. It now takes less than a second to scan through. VICTORY!

I also started finally assigning genres. I decided to use a hierarchical because I want to be able to pull up all the speculative fiction works or specifically high fantasy, which I nested into fantasy and then spec fic. And I gave in and created a Classic top-level category, which is only one layer deep (by language/country)--actually now that I think about it, it's mostly by language except for the English things, which are split British Isles-Canada-USA. Look, I split them up more because I read mostly English-language stuff, all right? (Also, I just can't sort too finely. It would be endless.)

email )

In other news, the insanity around the Hugos, which I am not even following but is going past my fannish view anyway, is making me cranky. Then there's the ongoing ??? with DA and EC. Aggh, things I don't want to know about the publishing/writing end! But as to the Hugos, no longer going to pick a book up because it has a Hugo.
silverflight8: stacked old books (books)
I recently re-read the Dark is Rising and was struck by the thought that the most compelling relationship is honestly the one between Merriman and Hawkins. They were so close! They trusted each other so much! Tragedy ;___; And I think when I first read the books I hadn't thought really how long Hawkins lived as the Walker--six hundred years of wandering, knowing he can't die or have peace until whichever of the last Old One comes to get the sign. I can understand his rejection of Merriman's plea.

The other thing that stuck out was morning of Will's birthday, when he wakes up and sees last night's snowfall--but it hasn't fallen on roofs and fields, but instead on a vast forest of trees, with branches reaching right up to his window.

I didn't talk about them, but I also read A Room With A View (ghghgh Cecil), Quantum Thief (good! less game theory than I thought it would have, should probably write about it in a post) somewhat recently. I'm now reading simultaneously several nonfiction books, including a good one on Czech history (from Přemyslids up, not just 20th century), and How Green Was My Valley and Over Sea, Under Stone. How Green Was My Valley is possibly one of the most beautiful titles I've ever encountered.
silverflight8: bee on rose  (Default)
From The Dark is Rising Sequence. The first one moves at a clip, and the only thing that bothered me was (in my accent) the slant rhyme thaw/before. I believe it's probably a full rhyme in other accents, and presumably Cooper's. I keep finding second, and third meanings; five will return might refer to Bran, Will, and the other three kids staying and Merriman going. Or not.

I always liked the last part the best: "All shall find the light at last, silver on the tree". Perhaps it's just my liking of the word silver. It just sounds so gorgeous (and in a book that is very much Light vs Dark) and imbued with a certainty - "All shall find the light at last".

When the Dark comes rising, six shall turn it back; )
--
It took me awhile to appreciate this poem. It's much less sing-songy than the other one, which is quick to memorize and easy to set to a rhythm; this poem immediately slows down. The very first line is my favorite. It always impressed me how Cooper manages to fit the prophecy and the story together, without mangling either.
On the day of the dead, when the year too dies )

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