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The Guns of Avalon, Roger Zelazny

Corwin, Lord of Amber, escapes from the dungeons of Amber to fight back against his brother Eric, who has usurped the throne of Amber, slipping between shadow worlds.

This is an extremely peculiar book. Corwin can 'walk in shadow', which means he can move between what amount to parallel universes. The novel opens with him walking out of prison and meeting with a wounded man named Lance (i.e. Lancelot). Corwin proceeds with Lance to Lorraine, a place that bears similarity to Corwin's own land--but this is a shadow of the other one. It's sort of Avalon, but not. Then they go off and have a battle...and Corwin unwittingly tells an impostor how to use the Pattern of Amber.

To be honest, this novel confused me a great deal. I see now that it is a second novel in a series (...this would explain rather a lot) but as I complained in a previous entry (here) the language wavers between very modern and archaic. In a way that might have been deliberate, but to me just sounded muddled. As well, the references were mixed too--there are references to our world (except one where there is no settlement on Africa) but also names like Ganelon (Song of Roland!) and of course the Arthurian influences (most notably Lancelot.)

I don't know if I want to try any of his other books. It was a tiny book but I didn't come out of it really liking anyone, except maybe Benedict, who seems to be the most level-headed of the bunch of brothers.

*

The Floating Islands, Rachel Neumeier

I also read The Floating Islands by Rachel Neumeier some...months...back. Fortunately I still have a copy and some of my thoughts written down.

The Floating Islands follows Trei, an orphaned boy, as he searches for his distant relatives living on the Floating Islands. These islands, adrift dozens of miles above the sea, are their own principality, defended by their geography. Arriving by boat, Trei is immediately struck by the kajuraihi--winged men that fly with crimson wings supported by dragon magic.

When he arrives at Canpra, the capital city, he meets and is accepted by his uncle into the family. He discovers he has a cousin, Araenè, who is a skilled chef, but he isn't in the household for very long when he successfully passes the initial test to become a kajuraihi. The test involves jumping from stepping stones to stepping stones between two islands, and then a further test by the dragons on the island.

Meanwhile, Araenè has a secret life of her own--when her parents are absent, she dresses as a boy and sneaks to the lectures at the university. On one such trip, she comes back and finds a door--walks in and finds Master Tnegun, a mage, who offers her a Dannè sphere and the assertion that she is a mage, if she won't stifle her magic.

Both of them become significant when the political tensions between the Floating Islands and the militant Tolounn, where Trei comes from, begin to heat up. Seeing the Islands as a new land to annex, their mages have found out how to suppress the magic that keeps them floating and protects them, and try to take over.

My thoughts )

*

And lastly, a picture. I was out today and saw this thing. I stared at it, and then walked by, and then turned around and had to take some pictures because...what?

image under cut, sfw )
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I'm struggling a bit through--wait, I forgot the title of the book--The Guns of Avalon, by Roger Zelazny. I think I'm struggling because a) Corwin, the protagonist, and b) the weird language switching.

Corwin: I'm not getting a bead on him at all. He's very powerful (walks in Shadow, much more powerful than normal humans, regenerates flesh, used to be a powerful leader of some sort, etc) but he just doesn't seem to be very interesting. He's royalty but he's been distanced so long from his extensive family that all the political drama is being narrated to me (or to him, he's catching up) in little dribbles and at great distance. So far the most interesting person I've met is Dara, who I do quite like and understand, at least, even if I have a bad feeling about this seventeen-year-old girl. What happened to Lorraine doesn't reassure me. But Corwin--he's just kinda there.

Language: OK, what's up with the switching between high-fantasy and vernacular? Here's an excerpt with more formal language:

He was young and fair of hair and complexion. Beyond that, it was hard to say at a glance. It is difficult, I discovered, to obtain a clear initial impression as to a man's features and size when he is hanging upside down several feet above the ground.

(Page 70)

Nothing especially archaic, but not entirely modern, right? Especially that first statement. But then there's dialogue like this:

"Don't worry about it. It's not contagious."
"Crap," she said. "You're lying to me."
"I know. But please forget the whole thing."

(Page 44)

It keeps doing this. Corwin refers to his father as "Dad". His sword is "Grayswandir" (very pretty). And the whole thing's set with parallel universes (that's what "walking in the Shadow" means, you can walk between worlds and pick what you land in), and so there exist an Avalon. There's a Lancelot we meet. And Uther is mentioned by name. But we also have Ganelon, who I always associate (apart from the Kushiel's Legacy one) with the Song of Roland, the medieval epic. All these influences keep jerking me around, merging kind of confusingly.

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