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Messiah!
I went tosee hear the Messiah yesterday a few weeks ago!
( complaints about own sillypantsness )
I am still in love with the choir, because it was fantastic. It is the choir that makes my heart leap - like a sudden rush of sound, all together. They had fantastic control over volume, so it could sink low and - this being in a concert hall - in dead silence, then boom out. And of course Handel gives them the opportunity: Messiah is chock full of glorious outpourings of happiness and - grandeur. (All we like sheep unexpectedly joyous, and he shall purify resonant, and of course Hallelujah magnificent. "Wonderful counsellor" stuck through my head on the half-hour of wet evening, walking home). I liked the bass and the soprano - the tenor was okay - but I am a firm believer that Handel, though he was also awesome, should never burden anyone (virtuoso or no) with passages that Messiah contains. As in fifty-note strings of trills, basically - in the bass (pardon me, baritone), they sounded like nothing more than rocks being shaken about. (This might have been "For behold darkness" or "The people that walked" but I don't quite remember.) Having analyzed the bit in the second part for music history, beginning with "There were shepherds", it was fantastic to hear another rendition - and the soprano didn't overload too much; her voice simply rang.
All in all, amazing. But I'd still rather have gone to the sing-along - alas!
I went to
( complaints about own sillypantsness )
I am still in love with the choir, because it was fantastic. It is the choir that makes my heart leap - like a sudden rush of sound, all together. They had fantastic control over volume, so it could sink low and - this being in a concert hall - in dead silence, then boom out. And of course Handel gives them the opportunity: Messiah is chock full of glorious outpourings of happiness and - grandeur. (All we like sheep unexpectedly joyous, and he shall purify resonant, and of course Hallelujah magnificent. "Wonderful counsellor" stuck through my head on the half-hour of wet evening, walking home). I liked the bass and the soprano - the tenor was okay - but I am a firm believer that Handel, though he was also awesome, should never burden anyone (virtuoso or no) with passages that Messiah contains. As in fifty-note strings of trills, basically - in the bass (pardon me, baritone), they sounded like nothing more than rocks being shaken about. (This might have been "For behold darkness" or "The people that walked" but I don't quite remember.) Having analyzed the bit in the second part for music history, beginning with "There were shepherds", it was fantastic to hear another rendition - and the soprano didn't overload too much; her voice simply rang.
All in all, amazing. But I'd still rather have gone to the sing-along - alas!
