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A. M. Dellamonica: Indigo Springs
Feb. 21st, 2012 02:05 amI did promise something on Indigo Springs.
Book cover is generic fantasy, by which I mean it's a dun-coloured construction, with a woman (half her face showing) cupping a dish of something.
( Here's the cover )
Here's the blurb:
Astrid inherit her deadbeat father's house when he dies. She discovers, however, that he's left behind a sac of belongings, ragtag and old, but seem to be magical. The kalediscope can see through walls. A pencil sharpener makes gold flakes. A rough penknife crumbles anything into dust.
It's all tangled up in the past and present; in the present, the thread follows a man named Will, living in a post-apocalyptic world, trying to reason with Astrid. The world is seized up with the overflow of magic: the U.S. is frantically trying to control contamination of it. Astrid's former best friend, Sahara, is leading a cult called the Alchemists, who are apparently controlling the supernatural acts - huge forests sprouting out of control, people turning into half-human, half-animals. Sahara herself seems to be able to do miraculous things like curing the sick.
Back to the past, Astrid is discovering that her father, whom the entire town had thought a wastrel, was actually creating magical artifacts - called chantments - and sending them away. Astrid discovers this knowledge in fits and starts. When they pull up the fireplace to find a dripping leak, they're hit by a blast of blue fluid - vitagua, from which magic issues. Slowly, she's discovering memories of her and her father: that he's a guardian of the blue spring. The book flips between past and present - Astrid herself is often confused about what time it is and what's happened (she refers to the day Will arrives as "Will day"; the significance of this isn't revealed til the end) - and also between the world of the ordinary, and the unreal which contains magic.
( the informal babbling )
Book cover is generic fantasy, by which I mean it's a dun-coloured construction, with a woman (half her face showing) cupping a dish of something.
( Here's the cover )
Here's the blurb:
When small-time criminal Albert Lethewood is murdered, he leaves his daughter Astrid a house in the town of Indigo Springs. Suspecting a scam, she nevertheless moves into the house with two friends. There they discover several mystical objects, including a penknife capable of terrible–perhaps limitless–destruction.
Soon it is obvious the old house is a cover for a wellspring of magical energy, and that Albert Lethewood had a secret life as the wellspring’s keeper. It falls to Astrid and her friends: dependable, heroic Jacks Glade and volatile Sahara Knax, to puzzle out the nature and purpose of the magical well.
But Albert’s killer is still out there. Worse, the mystical power is deeply seductive. . . and Sahara might be willing to risk everything, even Astrid herself, for control of the well.
Astrid inherit her deadbeat father's house when he dies. She discovers, however, that he's left behind a sac of belongings, ragtag and old, but seem to be magical. The kalediscope can see through walls. A pencil sharpener makes gold flakes. A rough penknife crumbles anything into dust.
It's all tangled up in the past and present; in the present, the thread follows a man named Will, living in a post-apocalyptic world, trying to reason with Astrid. The world is seized up with the overflow of magic: the U.S. is frantically trying to control contamination of it. Astrid's former best friend, Sahara, is leading a cult called the Alchemists, who are apparently controlling the supernatural acts - huge forests sprouting out of control, people turning into half-human, half-animals. Sahara herself seems to be able to do miraculous things like curing the sick.
Back to the past, Astrid is discovering that her father, whom the entire town had thought a wastrel, was actually creating magical artifacts - called chantments - and sending them away. Astrid discovers this knowledge in fits and starts. When they pull up the fireplace to find a dripping leak, they're hit by a blast of blue fluid - vitagua, from which magic issues. Slowly, she's discovering memories of her and her father: that he's a guardian of the blue spring. The book flips between past and present - Astrid herself is often confused about what time it is and what's happened (she refers to the day Will arrives as "Will day"; the significance of this isn't revealed til the end) - and also between the world of the ordinary, and the unreal which contains magic.
( the informal babbling )
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